design awards
gold award
Category: Double-Deck Exhibit
Exhibitor: Gazprom Neft PJSC Design/Fabrication: IBS Expo LLC, Moscow, 7-499-703-07-46, www.ibs-expo.ru Show: St. Petersburg International Economic Forum, 2019
Budget: $750,000 – $999,000
Size: 44-by-49 feet (3,448 square feet, including second-story space)
PHOTOS: IBS EXPO LLC
Fuel for Thought
To show the vast transformations it was undergoing to the 2019 St. Petersburg International Economic Forum, Gazprom Neft PJSC, Russia's third-largest oil producer, turned to exhibit designer IBS Expo LLC – and a 19th century mathematician. "It was interesting finding the perfect form for the booth in a way that reflected this unique multimedia project," said Irina Shchennikova, development director of IBS Expo.
Screen Play
Drawing on the infinitely looping Mobius strip, Gazprom Neft PJSC employed an irregularly shaped video wall that appeared to flow over the exhibit's exterior while displaying phantasmagoric imagery signifying a company in rapid change. The theme of transformation was also expressed in the upstairs lounge, where kinetic light fixtures continuously recast the space's appearance, deliberately mirroring the company's brisk evolution into a global power.
Conceptually – and dramatically – conveying the
company's rapid evolution from regional to world player
was an amoeba-shaped screen that seemed to stream over
the exterior of the 44-by-
49-foot exhibit. Inspired by
August Ferdinand Mobius'
eponymous 1858 concept
that suggested an infinite
loop in perpetual motion,
the display contained 876
individual LED modules
and spanned roughly 2,260
square feet. Continually
cycling over the massive
screen was a five-part film
designed by Russian media artist Maxim Zhestkov, its
nonstop imagery appearing at times like an iridescent
whale, a topographical map on acid, or weather patterns
seen through a kaleidoscope. "It was mesmerizing," said
an impressed Exhibit Design Awards judge. Drawing on the infinitely looping Mobius strip, Gazprom Neft PJSC employed an irregularly shaped video wall that appeared to flow over the exhibit's exterior while displaying phantasmagoric imagery signifying a company in rapid change. The theme of transformation was also expressed in the upstairs lounge, where kinetic light fixtures continuously recast the space's appearance, deliberately mirroring the company's brisk evolution into a global power.
Inside Gazprom's double-deck exhibit, the company articulated the theme of continuous change in several ways. On the ground floor, for instance, multiple monitors and a 7-by-9-foot LCD wall ran the same dreamlike imagery as the giant exterior screen. Meanwhile, the wall behind the bar in the upstairs lounge was decorated with 3-D panels whose various slats were pointed in multiple directions, signifying incessant movement. Equally protean was the room's ceiling fixture, which, with the press of a button, shifted its ring-like components into different positions. Like the Mobius strip, Gazprom's booth became a symbol of the company's own endless and elegant change. E
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